Fermata Arts Foundation Art Fund

Chair: Sculptor MIKHEIL GVASALIA, Tbilisi, Republic of Georgia

FERMATA’S COLLECTION



MIKHEIL GVASALIA

“FIESTA”
10/25/2021
POLIESTER
15”X 6” X 3”

“The creation of Fiesta happened spontaneously, after meeting with the students, I wanted to convey the emotions of the younger generation, their views, feelings, dreams and hope for the future that they will create themselves, where there will be no anger and hatred that they had to face today.
This work is like a cry from the soul of youth.
I am a small person, a representative of a vast world. I, like a vast universe, want to notify with my cry I am coming, a whole army is following me, we are young, beautiful and strong, our spirit is in the sky, we have the support of the whole earth.
We cannot be stopped, we are everywhere, communicate with us, take our energy, recharge it.
Be with us on an equal footing and together we will come to the origins of life, we will find the ideal
The balance of essence and meaning
.

[by MIKHEIL GVASALIA]



MIKHEIL GVASALIA

“MOTHERHOOD”
03/01/2022
BRONZE
7”X 3.5” X 2”

In this work, we see the figure of a woman with a child sitting on her knee, the sculptor wanted to convey motherhood as a symbol of love, this is an all-encompassing feeling given to a person from the universe, a feeling that helps to survive all hardships, wars, tragedies
Awakens the most beautiful feeling of Mercy.
In our modern world, so restless, aggressive, full of tears and pain, we must always remember who we are? Why do we exist? Will humanity lose and destroy itself? Has all our development gone towards this? Everything that we have experienced, all our achievements, everything was for us to destroy ourselves, not knowing what we are doing?
The sculptor shows love as the only, the last hope for saving life, this is all that we have left, love as faith, the hope that we Humans will defeat our selfishness, mammon worship, hypocrisy, enmity,
And we can leave our world to our descendants, and then our life will have meaning.
[By Tinatin Menteshashvili]